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I know it is for me after thinking that maybe Budden had fell off a bit as a soloist due to his focus on Slaughterhouse projects, but he proves with this album his ability to command my attention for long periods of time even when he’s talking about how much he hurts. It’s unfortunate to me as a long time Joe Budden listener to think that producing art pains him this much, but I can only hope a deeply personal album like “Some Love Lost” is therapeutic for him. The same thinkin that pay me, the same thinkin that plagues meĬause to profit off of shit that aches me is actually pretty wavy” Killing me slow but I’m glad it’s entertaining you More than tryin to attain the unattainable, tryin to make it sustainableĬollectin all the parts, see if they interchangeable
JOE BUDDEN NO LOVE LOST DATPIFF MOVIE
This is more like a mini-documentary, a movie about Budden’s life, with him being both the star and the narrator on tracks like “Poker in the Sky.” Other than the “Intro” none is under four minutes long, and that’s fine because these aren’t radio songs – these are reality songs. “Some Love Lost” is not an overly long album at 37 minutes, but Joe bucks the conventional musical wisdom both in and outside rap by dropping LONG tracks. It’s no coincidence that it follows “Only Human” – it brings you back from the brink.
That’s why even when he mimics the flow of the late great Christopher Wallace on “Alive,” it’s only going to be taken as a tribute to a man Budden clearly respects – and it’s just a passing moment in an uplifting DJ Pain 1 track anyway.
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He’s that dude you know is tough as hell who can get away with being completely emotionally vulnerable whenever he feels like it and get a free pass for it. I suppose if you were going to compare Slaughterhouse to Wu-Tang Clan (not that anybody has before now, or that anybody necessarily even should) he’d be Ghostface Killah. It’s the emotional connection he makes that makes Budden a worthwhile rapper, no matter how many party raps or punchline snaps he can deliver through the course of his career. You’ve got to be colder than ice to not feel a little ache of pain in your heart listening to Joe rap about his suffering. Was thankful that he shed some light upon my darkest hour”
Maybe he could sense that somethin had the god devoured Just so happy he appeared, nigga shed another tear (DAMN!)
He said ‘Let us pray’ and then he went into a prayer Which at first I kinda thought it was weirdīut that convo preserved me ’bout God’s grace and mercy
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“Soon as I wrote down ‘Mom’ I just stopped! Couldn’t lie to herĬouldn’t figure out how to say bye to herĬouldn’t picture her gettin a call or somebody sayin her son had died to her Getting snitched on by a loved one that had him “facing three felonies” is just one of many dramas you can find in the track, which at one point has him contemplating committing suicide to end all of the pain.
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With the soft and thoughtful piano backdrop of Karon Graham on the epic eight minute long “Only Human” featuring Emanny on the hook, Budden lays his entire soul bare on the track, leaving no stone unturned in his personal and professional failings. The response from for Joe Budden was to get personal, which has always been his biggest strength, even as a member of the Slaughterhouse crew. If there’s a textbook example of “damned with faint praise” on RR that recognition may indeed go to Mr. But ultimately, ‘No Love Lost’ is too inconsistent to leave a lasting impression, and falls short of greatness.” “In short bursts, tracks like ‘Skeletons’ and ‘You And I’ are excellent examples of Joe Budden, and ‘She Don’t Put It Down’ is as infectious as any other single in 2013. Our own Grant Jones had this to say about Budden phoning an album in: “Some Love Lost” is clearly a sequel to 2013’s “No Love Lost,” and could even be seen as a response to the mixed reception his last album got, which is unusual compared to the majority of his catalogue to date. The title of the album is a direct heads up to what’s up.
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